I Think Someone is Shooting a Sitcom Inside My Mouth
ANIMATION
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PACKAGE DESIGN
I Think Someone is Shooting a Sitcom Inside My Mouth is a handmade animated short made over the course of three months. It combines rotoscoped character animation with mixed media printed elements. The style of the short is unified through every frame being printed on pages from a thrifted book & features a mix of printed video frames, paint, and cel animation.
To accompany the short, I also created a VHS case and small zine as packaging and marketing materials.
Winnipeg Metro
BRANDING
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APP DESIGN
Winnipeg Metro is here to imagine a future where the city’s public transit system could thrive through a subway system!
The accompanying app provides users with the ability to find the fastest route to get from point A to point B, save commonly used routes & view a map of all the routes in the city. The app also proposes digital metro cards as an alternative to the Peggo card we currently have.
The design of the new metro system revolves around five colours and five shapes. It proposes that the city would be divided into five routes, the pink circle route, the purple diamond route, the blue square route, the green pentagon route, and the yellow triangle route. The choice behind having these five distinct routes was to help promote an equally accessible and easy to use system for everyone.
Anilogue Collection
EDITORIAL
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PACKAGING DESIGN
The Anilogue Collection is a 2-disc DVD boxset that aims to shed light on under-appreciated and alternative animation from the 20th century. Alongside the 2-discs which features 14 animated films from 1926—1992, the collection comes with two booklets.
The first, a catalogue which details each film inside the collection. Detailing it’s general plot synopsis, the director, genre, runtime, country of origin, and the animation techniques featured.
The second book explores the animation techniques featured in the films in the collection. Giving a quick overview of the technique alongside its history and the animations it was used in.
Landline Mono
TYPEFACE DESIGN
Landline Mono was developed for use with landline telephones. The concept was born when I realized that most touchtone telephones layed out their type in a highly gridded way but were not using a monospaced font. Because of this, the typography on these phones consistently suffered from weird spacing inconsistencies on their buttons.
In the process of development, I decided to widen the scope of the typeface’s purpose to also include print. Above all that however, Landline Mono is a wide monospace with a little bit of a retrofuturistic twist in each and every glyph!
Punchcard
TYPOGRAPHY
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PRINT DESIGN
Punchcard is a typeface developed as an abstraction of Inconsolata. The abstraction process fully embraces the monospace design of Inconsolata, as well as one of Inconsolata’s intended uses as a programming typeface.
The abstraction process starts with a 3×3 grid of circles, which defines the size of each glyph. The top left circle is used to indicate the case of the letter, filled in for uppercase and empty for lowercase. The two circles under that one are filled and connected to start the stroke of the letterform.
Following this the rest of the grid is punched in according to the last six digits of the glyphs binary code. As an example, the letter ‘G’ has a binary code of 01000111. All the 1’s in the last six digits of the binary code are used to fill in their respective circles in the grid, whereas all the 0’s remain empty.
Motion Graphics Demo Reel
TYPOGRAPHY
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PRINT DESIGN
Punchcard is a typeface developed as an abstraction of Inconsolata. The abstraction process fully embraces the monospace design of Inconsolata, as well as one of Inconsolata’s intended uses as a programming typeface.
The abstraction process starts with a 3×3 grid of circles, which defines the size of each glyph. The top left circle is used to indicate the case of the letter, filled in for uppercase and empty for lowercase. The two circles under that one are filled and connected to start the stroke of the letterform.
Following this the rest of the grid is punched in according to the last six digits of the glyphs binary code. As an example, the letter ‘G’ has a binary code of 01000111. All the 1’s in the last six digits of the binary code are used to fill in their respective circles in the grid, whereas all the 0’s remain empty.
Sketchbook
TYPOGRAPHY
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PRINT DESIGN
Punchcard is a typeface developed as an abstraction of Inconsolata. The abstraction process fully embraces the monospace design of Inconsolata, as well as one of Inconsolata’s intended uses as a programming typeface.
The abstraction process starts with a 3×3 grid of circles, which defines the size of each glyph. The top left circle is used to indicate the case of the letter, filled in for uppercase and empty for lowercase. The two circles under that one are filled and connected to start the stroke of the letterform.
Following this the rest of the grid is punched in according to the last six digits of the glyphs binary code. As an example, the letter ‘G’ has a binary code of 01000111. All the 1’s in the last six digits of the binary code are used to fill in their respective circles in the grid, whereas all the 0’s remain empty.
About Me
Y’ello! I’m Jaeden, a graphic designer from Winnipeg, MB. I’m interested in animation, illustration & editorial design.
Get In Contact
Shoot me an email for any design inquiries (or anything else)!
